For French Horn and Piano
Series: Leduc
Publisher: Alphonse Leduc
Format: Softcover
Composer: Eugène Bozza
Editor: Daniel Catalanotti
A composer and conductor of genius, Eugène Bozza (1905-1991) left us several operas, ballets, large-scale symphonic and choral works, but his worldwide reputation is derived mainly from his many chamber works, written for various instrumental formations with a preference for wind instruments. En forêt (1941), evoking a hunting party in the forest, was written for an entrance exam for the Conservatoire de Paris; this is why it calls for all kinds of technical challenges: it uses the entire range of the instrument, and features trills, the use of the mute, stopped sounds, glissandi, as well as, naturally, passages in fast tempos that require a high level of virtuosity. Introduction and notes on interpretation in French and English by the hornist Daniel Catalanotti.
Having won many prizes at the Paris Conservatoire during the 1920s and 1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, En Foret being no exception. This Bozza piece for French horn and piano masterfully combines a virtuosic horn solo with impressionistic piano accompaniment. The composer includes reminders of the horn's hunting roots with frequent uses of call and response throughout. As a music educator, Paul Griffiths has written of Bozza's compositions, saying how “his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.”
Width: 9.0"
Length: 12.0"
8 pages
- Note: Houghton Horns is not in any way affiliated with the creators of this video. We included the video to give you a general taste of what the sheet music sounds like, but these artists' interpretation of the piece may differ from your sheet music.
For French Horn and Piano
Series: Leduc
Publisher: Alphonse Leduc
Format: Softcover
Composer: Eugène Bozza
Editor: Daniel Catalanotti
A composer and conductor of genius, Eugène Bozza (1905-1991) left us several operas, ballets, large-scale symphonic and choral works, but his worldwide reputation is derived mainly from his many chamber works, written for various instrumental formations with a preference for wind instruments. En forêt (1941), evoking a hunting party in the forest, was written for an entrance exam for the Conservatoire de Paris; this is why it calls for all kinds of technical challenges: it uses the entire range of the instrument, and features trills, the use of the mute, stopped sounds, glissandi, as well as, naturally, passages in fast tempos that require a high level of virtuosity. Introduction and notes on interpretation in French and English by the hornist Daniel Catalanotti.
Having won many prizes at the Paris Conservatoire during the 1920s and 1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, En Foret being no exception. This Bozza piece for French horn and piano masterfully combines a virtuosic horn solo with impressionistic piano accompaniment. The composer includes reminders of the horn's hunting roots with frequent uses of call and response throughout. As a music educator, Paul Griffiths has written of Bozza's compositions, saying how “his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.”
Width: 9.0"
Length: 12.0"
8 pages
- Note: Houghton Horns is not in any way affiliated with the creators of this video. We included the video to give you a general taste of what the sheet music sounds like, but these artists' interpretation of the piece may differ from your sheet music.