Lauren Bernofsky's Two Latin Dances pairs the relaxed rhythmic character of bossa nova with the more pointed gestures of tango in a work for horn and piano. The two dance styles do not remain entirely separate: their rhythms gradually combine, creating a larger musical arc rather than two unrelated miniatures. The result offers the horn player contrasting ways to shape a melody, from an easy, flowing line to more incisive rhythmic delivery.
Bernofsky originally wrote the piece for trombonist Natalie Mannix, who introduced it at the 2016 International Trombone Festival. This edition is the composer's arrangement for horn and piano, published by Theodore Presser as 144-40740.
Lasting approximately seven minutes, the work is intended for advanced performers. Preparation should give as much attention to rhythmic style and partnership with the pianist as to the notes: keeping the dance pulse clear while allowing the melody to speak is central to its character.
Lauren Bernofsky's Two Latin Dances pairs the relaxed rhythmic character of bossa nova with the more pointed gestures of tango in a work for horn and piano. The two dance styles do not remain entirely separate: their rhythms gradually combine, creating a larger musical arc rather than two unrelated miniatures. The result offers the horn player contrasting ways to shape a melody, from an easy, flowing line to more incisive rhythmic delivery.
Bernofsky originally wrote the piece for trombonist Natalie Mannix, who introduced it at the 2016 International Trombone Festival. This edition is the composer's arrangement for horn and piano, published by Theodore Presser as 144-40740.
Lasting approximately seven minutes, the work is intended for advanced performers. Preparation should give as much attention to rhythmic style and partnership with the pianist as to the notes: keeping the dance pulse clear while allowing the melody to speak is central to its character.